lunes, 7 de julio de 2014

Lorenz, Nosferatu

Lorenz took his cell and waited for reply.
-Yes?- said the voice at the other side of the line.
-Listen very carefully, madam LeStrange. I have here your toyboy, Elijah, and his life depends only on your answers. If I don't find them satisfactory... He will know Final Death for sure, one sweet long painful Final Death.
-I won't give in to blackmail...
A scream was heard, blood was splattered on the floor.
-What you heard was one of his arms torn apart from his body. Don't make me repeat myself, madam LeStrange.
And so, Lorenz got his answers.

Second in the Vampire the Masquerade series, this is Lorenz, a ruthless Nosferatu. This was one of the clans which I played more, with Tzimisce and Malkavian. They were the beast every Kindred had inside, and they worn it on the outside.

Watercolours.

Lorenz cogió su móvil y esperó contestación.
-¿Sí?- dijo la voz al otro lado de la línea.
-Escuche muy cuidadosamente, madam LeStrange. Tengo aquí a su amante, Elijah, y su vida depende sólo de sus respuestas. Si no las encuentro satisfactorias... Él conocerá la Muerte Definitiva, una dulce, larga y dolorosa Muerte Definitiva, téngalo seguro.
-No pienso ceder al chantaje...
Se oyó un grito, la sangre salpicó el suelo.
-Lo que ha oído ha sido uno de sus brazos arrancado de su cuerpo. No me haga repetirme, madam LeStrange.
Y así, Lorenz consiguió sus respuestas.

El segundo en la serie de Vampiro la Mascarada, éste es Lorenz, un despiadado Nosferatu. Éste era uno de los clanes que más jugaba, junto con Tzimisce y Malkavian. Eran la bestia que cada Vástago tenía dentro, y la llevaban por el exterior.

Acuarelas.

jueves, 3 de julio de 2014

Lirio, Lasombra.

Lirio walked into the barely illuminated room, just in front of the man tied to the steel chair in the middle.
-I don't fear you, lady!- screamed him, in anger.
-But you will be afraid of the dark, my dear- she said softly, as the shadows in the room grow closer to them...

I decided to start a little series about the Vampire the Masquerade RPG, with some illustrations from new characters for the game. Let's see where does it bring us ;)

Watercolours.

Lirio entró en el cuarto apenas iluminado, parándose justo en frente del hombre atado a la silla de acero en el medio.
-¡No le temo, señora!- gritó él, enfadado.
-Pero tendrás miedo de la oscuridad, querido- dijo ella con suavidad, mientras las sombras de la habitación se aproximaban a ellos...

He decidido empezar con una pequeña serie sobre el juego de rol de Vampiro la Mascarada, con algunas ilustraciones de nuevos personajes para el juego. Veamos a dónde nos lleva esto ;)

Acuarelas.

miércoles, 2 de julio de 2014

Loki meets Loki

Two versions of the nordic trickster god of mischief, one in front of the other. one from the myth, other from Marvel's movies...

I see Hiddleston a little... awed.

Watercolours.

Dos versiones del embaucador dios nórdico de las jugarretas, uno en frente del otro, uno del mito, otro de las películas de Marvel.

Veo a Hiddleston un poco... aterrorizado.

Acuarelas.

lunes, 30 de junio de 2014

Poro poro poro poro

Here we have a "poro" from League of Legends, which becomes a cute plush toy, from where I took the inspiration to draw this illustration. I made this in the Expotaku Zaragoza a week ago.

Watercolours.

Aquí tenemos un "poro" de League of Legends, que se convierte en un peluche muy mono, de donde tomé la inspiración para dibujar esta ilustración. La hice en el Expotaku Zaragoza de hace una semana.

Acuarelas.

jueves, 12 de junio de 2014

Joker Skywalker

Hi, folks! Today I want to show you a little crossover homage to Mark Hamill, mixing two of his most known characters: Luke Skywalker and the Joker. So, picture this: when he stroke down his father before the Emperor, Luke Skywalker became the Sith Lord known as Darth Jokerus, or simply "The Joker". His dreadful laughter makes the whole galaxy quake in fear...

Ink and watercolours.

¡Hola, gente! Quiero mostraros un pequeño crossover homenaje a Mark Hamill, mezclando dos de sus personajes más conocidos: Luke Skywalker y el Joker. Imaginad: cuando mató a su padre delante del Emperador, Luke Skywalker se convirtió en el Lord Sith conocido como Darth Jokerus, o simplemente "El Joker". Su temible risa hace temblar de miedo a toda la galaxia...

Tinta y acuarelas.

viernes, 21 de marzo de 2014

Joker & Harley Queen Commission

This was a commission I made during the KBOOM comic con this weekend. Some watercolor and inked over them, and some colored pencils. I love the Joker's face in this one.

Este fue un encargo que me hicieron en las KBOOM este fin de semana. Acuarelas, entintadas luego por encima y con algo de lápiz de color. Me encanta la cara del Joker en éste.

Además, aprovecho para recordar a los madrileños, que mañana estaremos en Atom Comics para presentar el libro de Historias de un friki con barbas, del cual tenemos una crítica que nos han hecho y todo en Fantasy Mundo. ¡Os espero allí!

viernes, 10 de enero de 2014

Lupus and woman

The beast roared aloud in the cold alley, waiting for its moment to strike. The woman, wipping out the blood from her mouth with the back of her hand, just said: "Now you are in real trouble."

This is only a test for some grey markers I bought last month...

Pentel, zebra ink-pen-brushes, neopiko markers, pencils.

______________

La bestia rugió con fuerza en el callejón frío, esperando su momento para atacar. La mujer, quitándose la sangre de la boca con el dorso de la mano, sólo dijo: "Ahora sí que estáis en problemas."

Esto es simplemente una prueba para algunos rotuladores grises que compré el mes pasado.

Pentel, rotuladores pincel zebra, rotuladores neopiko, lápices.

miércoles, 8 de enero de 2014

¿Cómo conseguir el tomo de Historias de un friki con barbas?

¿Queréis recibir vuestro tomo de Historias de un friki con barbas cómodamente en vuestra casa?

¡Ahora podéis!

Por 12 eurillos de nada (gastos de envío incluidos) podréis recibir en vuestro domicilio el tomo de 164 páginas, y si lo queréis dedicado no tenéis más que decirlo.

¿Cómo?

Me mandáis un e-mail a katakraos arroba gmail punto com con el asunto "Friki con barbas", diciéndome que queréis uno, y vuestra población y medio de pago preferido: Paypal o transferencia bancaria. Con lo que recibiréis otro e-mail con instrucciones para realizar el pago. Una vez efectuado el pago, os mandaré el libro.

Éste precio sólo se aplicaría a envíos en la península. El precio para Canarias y Baleares podría ser algo mayor por cuestión de los gastos de envío. El precio de envío al extranjero sale aún más caro, tendríamos que verlo caso por caso.


jueves, 12 de diciembre de 2013

Yo he venido aquí a hablar de mi libro.

Esta imagen representa para mí, en cierta forma, el fin de una etapa. Cuando por fin ves físicamente el producto de tantas horas de trabajo, del esfuerzo de terceras personas y del tuyo... Es algo que realmente no tiene precio.
Bueno, sí, el de la imprenta, pero no es de eso de lo que estoy hablando.
Cada vez que editas algo tiene un algo especial, no ha sido mi primera experiencia... pero sí es la primera vez que lo hago casi en solitario, en un 90% por lo menos. De esto habría que contar el palizón que se ha pegado el señor Álvaro "Ming" Sarraseca con la maquetación, y los prólogos de amigos, como son Aitor Eraña y Roberto Ortega.
Pero en el fondo, aunque te hayan ayudado a parirlo, lo cierto es que lo sientes como algo muy propio, muy tuyo. Estoy encantado con la edición, ha quedado estupenda, y la verdad es que tenerlo por fin en las manos es una sensación bastante agradable, un poco el "por fin, lo he hecho".
¿Qué vais a encontrar dentro? Pues las primeras tiras del personaje, una pequeña historia inédita en otras 10 tiras, y unos cuantos fanarts.
En total, 164 paginacas bien rellenas de cosas, tiras cómicas en blanco y negro, remasterizadas para la ocasión.
Qué a gusto me he quedado del parto.
Éste fin de semana podréis encontrarlo en el Expocómic de Madrid, en la zona de fanzines, el el stand de El Posabirras del Mal, una colección de relatos de terror en la que también colaboro, con una historia bastante más seria.
Y la semana que viene hablaremos de la venta por correo.

¡Nos vemos! ;)

miércoles, 4 de diciembre de 2013

Dandy Orc

"Don't thy know WHO I am? That's something which will reach the Mayor, rest assured of that, my good sir!"
And with these words and anf keeping stiff upper lip, Sir Grummark P. Honcilurk left the room, holding his cane in a most dignified way." 

I made this drawing not knowing if he would be a character for Obliterast, but the looks and the feel would fit perfectly. Anyway, it's just a drawing I wanted to make. A well-dressed orc.

Pencil, watercolor.

"¿No sabéis QUIÉN soy? ¡Esto es algo que llegará al Alcalde, esté seguro de eso, mi buen señor!"
Y con estas palabras y manteniéndose sereno y seguro, Sir Grummark P. Honcilurk dejó la sala, sujetando su bastón de una manera muy digna."

Hice este dibujo sin saber si sería un personaje para Obliterast, pero su apariencia y la sensación que da encajarían perfectamente. De cualquier forma, es sólo un dibujo que quería hacer. Un orco bien vestido.

Lápiz, acuarelas.

miércoles, 20 de noviembre de 2013

Frontem habemus!

¡Tenemos portada para el tomo del Friki con barbas que sacaremos en diciembre de este año, para el Expocómic de Madrid!

We do have the cover for the trade paperback of my webcomic Historias de un friki con barbas (Stories of a bearded nerd) (Only  in Spanish, sorry). We will have it available in December, in Madrid Expocomic!

lunes, 11 de noviembre de 2013

Drink and Draw November 2013 and some news

Konglaccio
Once again we met some artist pals in the Drink and Draw Madrid hosted by Lebrílope Papelería. The theme this time was "Monkeys and Theatre".
As you can see, this is a gorilla doing the aria of Pagliacci, by Ruggero Leoncalvallo, Recitar. 

And now, something completely different. I will be in Expocomic 2013 in Madrid, sharing a stand with some friends: Ioannes Ensis, Aitor I. Eraña, Álvaro "Ming" Sarraseca and Jorge "Lewis" Espigares. We will be all in the "Evil Beer Coaster" (El Posabirras del Mal) stand, in the fanzines area. Besides the Evil Beer Coaster issues, we will have also our own material there, I will bring with me the books (at last!) of Historias de un friki con barbas.

See you ;)

De nuevo me reuní con algunos colegas dibujeros en el Drink and Draw madrid organizado por Lebrílope Papelería. Esta vez el tema era "Monos y teatro".
Como podéis ver, este es un gorila haciendo el aria de Pagliacci, de Ruggero Leoncalvallo, Recitar.

Y ahora, algo completamente distinto. Estaré en el Expocomic 2013 de Madrid, compartiendo stand con algunos amigos: Ioannes Ensis, Aitor I. Eraña, Álvaro "Ming" Sarraseca y Jorge "Lewis" Espigares. Estaremos todos en el stand de "El Posabirras del mal", en la zona de fanzines. Además de los ejemplares del Posabirras, tendremos ahí nuestro propio material, yo traeré conmigo los libros (¡por fin!) de Historias de un friki con barbas.

¡Nos vemos!

lunes, 4 de noviembre de 2013

Obliterast, tomorrow

So, we're almost there, tomorrow I will release the beast and hope to see it grow bigger. Obliterast is an idea that have been with me a few years, and I finally see it going to its proper place: the web.
I cannot help to be a litle nervous, always when you expose your work to the public you leave a part of you unprotected and uncovered, and not everybody will love it, some people will hate it outright.
But it's alright. I never thought that everything I'm doing it's going to appeal to everyone, that's a road that, as an artist, leads to self-destruction. But I believe that it's a story that will like some people, the first of them myself.
For me, it's also something that I have to get out from my guts to show to the world. And I am proud of it. I know also that the style and the appearance of the comic will get better as time goes on, and that's good. I have time and the will to improve, to learn, to make a better story each day. To sharpen my skills as a writer, artist and storyteller.
Time will tell if I make it.
But in the meantime, I hope you enjoy the trip!

You will find Obliterast in English in the following sites:

Obliterast blog - Here in blogspot, the main site, and where I will post more things, articles, illustrations, etc.
Tumblr - Mostly the comic
Smackjeeves - Mostly the comic

And our fanpage in Facebook.

Así que ya casi estamos ahí, mañana liberaré a la bestia y esperaré que se haga más grande. Obliterast es una idea que ha estado conmigo unos cuantos años, y que finalmente la veo ir al lugar que le corresponde: la red.
No puedo evitar estar algo nervioso, siempre que expones tu trabajo al público dejas una parte de ti desprotegida y descubierta, y no le va a encantar a todo el mundo, algunos van a odiarla directamente.
Pero está bien. Jamás creí que todo lo que hago vaya a atraer a todo el mundo, esa es una senda que, como artista, conduce a la autodestrucción. Pero creo que es una historia que le gustará a alguna gente, el primero yo.
Para mí, también es algo que tengo que sacarme de las entrañas y enseñárselo al mundo. Y estoy orgulloso de ello. Se también que el estilo y la apariencia del cómic mejorará con el tiempo, y eso es bueno. Tengo el tiempo y la voluntad para perfeccionarlo, para aprender, para hacer una historia mejor cada día. Para agudizar mis habilidades como escritor, artista y narrador.
El tiempo dirá si lo consigo.
Pero mientras tanto, ¡espero que disfrutéis del viaje!

Encontraréis Obliterast en castellano en las siguientes páginas:

El blog de Obliterast - Aquí en blogspot, el sitio principal, y en donde publicaré más cosas, artículos, ilustraciones, etc.
Subcultura - El comic principalmente.

Y en nuestra página de fans en Facebook.

viernes, 1 de noviembre de 2013

Vespertilio

The thing in the dark cave whispered to the monarch of the land.
-So you think that you could bear my presence, my king?
-I have no doubt about it.
-Then step closer to me, and behold the death on wings...

This one is a pencil sketch on my sketchbook and inked with SAI, due to the recomendations of Aitor I. Eraña and Ioannes Ensis, great artists, bigger beermates and above all, two beautiful human beings.

La cosa en la cueva oscura susurró al monarca del país.
-¿Así que creéis que podéis soportar mi presencia, mi rey?
-No tengo dudas sobre ello.
-Entonces acercaos a mí, y contemplad la muerte alada...

Éste es un boceto a lápiz en mi cuaderno y entintado con SAI, gracias a las recomendaciones de Aitor I. Eraña e Ioannes Ensis, grandes artistas, mejores compañeros de cervezas y sobre todo, dos hermosos seres humanos.

jueves, 31 de octubre de 2013

Between the cracks (VI)

Para la versión en español pincha AQUÍ 

For the first installment click HERE

For the previous installment click HERE

VI

                In the beginning he was glad to have taken into account what the doctor told him. The journey through the Pacific was something that he should allowed himself to do it a lot time ago. His wife and the kids were delighted. The traveled from California, going across the Pacific till Japan and making a stopover in Hawaii. Nevertheless there were moments in the still of the night, late, in which Pedro was unable to sleep. He got up and went out alone to deck, moments in which he unevitably stood staring the horizon to the southwest. He had a feeling that it was a fixed point in the middle of the empty ocean, since each night he seemed to note how the ship advanced regarding it. After a while in which he fought against the impulse to swim towards it with all his might, he came back to bed, dreaming restless with an enormousness which laid below the waters in a ciclopean sunken city with strange angles and curves that were convex and concave at the same time.

                One night he was on deck staring to the ocean beyond the Equator. The revellers should have retired already to sink into their alcoholic torpor, or maybe to devote themselves to enjoy their night companies, the fact is that there was nobody where he stood. Lost in his thoughts a cough by his side startled him. Shaking his head, leaving his self-absorption, Pedro looked to his right, from where the noise came, and he saw a strange man. He was covered with a black jacket and a black tie over a dark grey shirt and he wore Japanese cut trousers that cloaked his feet, that couldn't be seen. But, bizarre as his clothing was, stranger was to see his skin.
                He had totaly caucasic features, however, his skin was black as coal, like the one of the darkest africans, maybe more. And he was bald, not even a hair could be seen in his round head. He was so dark that starlight mirrored in his skin, creating a malignant and sickly resplendence. When the man spoke it was as if he were scratching glass, at the same time his voice remained deep and perfectly modulated.

                -You can't sleep, can you? These journeys by ship always make me feel dizzy. If it were possible I'd rather travel underwater...

                Pedro was surprised by the strange voice of the bizarre and sinister man that was by his right, and he couldn't prevent a little shiver to run across his back despite the warmth of the night.

                -But where are my manners? I'm Schwartz, Cornelius Schwartz- the stranger extended a hand. 

                -Pedro Mejías- he greeted back, amazed. Indeed, the man sounded nothing like a German with an enough neutrum accent-. Are you too here on holidays, Mr. Schwartz?

                -Of course. Call me Cornelius.

                Cornelius and Pedro stayed talking almost till sunrise. Their conversation treated science, archeology, astronomy... all of them topics that Pedro was interested in and which the visitor seemed to know a big deal about them. He asked about his cabin to be able to chat on, but the now-not-so-stranger prefered to leave to chance to meet again.

                -She usually is wise for this kind of things. Take care, Pedro.

                Later, two more things drawed Pedro's attention. Nobody, even ship personnel, were on deck on the whole evening with Schwartz, it was as if they were completely alone. And other thing disturbed him more, although he didn't know say why at first, but above all was the fatherly way in which he seemed to be treated by Schwartz, and nevertheless, at the time he thought it was the most natural thing in the world.

                The cruise went on and Pedro kept feeling how he moved regarding his point of attention. He still woke up at night, and in many of them he met again with Schwartz, who fascinated him more and more each passing time with his learned teachings. The man was indeed a endless wealth of new discoveries and that's why he hadn't any doubt about him when, little by little, started to introduce also esoteric matters in their conversations, talking about how magic and mathematics weren't but different aspects of the same thing, which was the manipulation of the space with pure mindforce, but we weren't ready yet to develop it by a mathematical way. He talked about strange geometries, dimensions out of ours, new universes and everything that still hid in this. About legends that were told about races able to ride the infinite vacuum between the galaxies and fly through the skies propelled by the solar winds of millions of dead stars. He started talking about beings elder than man and the universe itself, and how those beings that were now in decline will rise again. And he talked about all of this over the course of many nights. The began to include Crowley and other great occultists in the conversation, and to talk about how fragiles are actually the walls of what we call reality and how easy would be to tear them down to pieces if we had the right stone.

                As his nights with fatherly Cornelius sank him into a frenzy of new revelations and misteries about the cosmos which surrounds us, Pedro was neglecting himself day to day, almost forgetting about the presence of his wife and children, and sometimes even considering them a nuisance for his night jaunts. He knew that his wife suspected that he was cheating on her and he laughed seeing how far was she from the true root of what was happening.

                One of the last nights of the cruise Cornelius asserted him that that would be the last time he would see him on board that ship, but that they would met again later. He said that when the moment were right they would go together to the place that were calling him so much and they would leave behind every problem from the routine and common world in which he was immersed. They hugged each other goodbye and that left Pedro with the feeling of being touching embers.

                The arrival to Japan happened with no more occurrences, and that the last nights have been quiet on his part helped Pedro's wife to discard her suspicions, at least for the moment. Once arrived to the docks of Osaka a bus took them to the hotel, and the next morning a train took them to Kansai airport, from where they departed back to Spain.

                During the long journey Cornelius' peculiar countenance came back to him on his dreams. This time he wore a long black tunic that covered till his feet, and he was waiting for him in a chamber of wet brick walls. Saying nothing in spite of wearing a slight smile on his black face, he pointed to a dim lit corridor with braziers along the whole path. Pedro followed him without hesitation.

                As they came forward Pedro could hear chants and, although he didn't identify nor the words nor the languaje, he understood it perfectly. They spoke how the Elder One would rise on his stone throne when the stars were right and that nothing could resist his power. Only the key was needed. The key that only one of the Crwaling Chaos' blood could obtain.

                Cornelius took him to a larger chamber, so, that it could have included a little city inside. Ceilling lost itself into the darkness, the same as the bottom. On that moment Pedro found quite plausible to consider that such things didn't exist there. Near the middle of the room (or what seemed to be to Pedro, since he didn't see the ending of the room) there was a gathering of figures on a stone platform, which trunk lost itself into the murk below. Unhealthy green fire torches lit them. In the lounge there were more stone pillars, huge, that sank into blackness too. Everything seemed to join together with a web of wooden gangways linked with ropes with a most unsecure outlook, like the one that surrounded the room, which was the one on which Cornelius and Pedro were watching the setting. The chants that were heard all the way came from the hooded ones group...

                Cornelius started to head in their direction and Pedro followed. Over the wooden gangplanks and feeble outlook ropes they moved, while those totter dangerously and non-stop. With secure and agile step they reached the group, a host of misshappen beings, most of them humanoids, but with features and traits that marked them as something completely different. There was even a shapeless and mutant hulk from which constantly emerged and disappeared eyes and mouths, and several kinds of extremities, everchanging and different.
                Every one of them, without exception, bent down at Cornelius' and Pedro's arrival. He ordered him to step into the centre.

                -Now, my son, watch which is the key that will open the Great Cthulhu's grave, who lies dead and sleeping in his city of R'Lyeh, who you will bring out from his slumber.

                Before Pedro materialized a black stone with golden arabesques all over its surface, elongated and of dreadful looks. Pedro shivered at its sight. It ended in a cruel and rulthless-looking point.

                -For it to be effective must be bathed on the blood of one of my offspring, straight from his heart, over the old R'Lyeh, sunk at the South of the Pacific...

                And Pedro woke up screaming.

It will continue... soon

domingo, 27 de octubre de 2013

The Elder Scrolls (I): An Introduction.

"A prisoner born on a certain day to uncertain parents". So it began. This is a love story. It's about how I fell in love with the Elder Scrolls Saga, a videogame series which built a world inside my head, and made it evolve through the centuries.
Knight of the Nine

This is told from a personal point of view, so I hope you wouldn't mind if I don't speak of the two first installments, Arena and Daggerfall, which I have never played.

The Elder Scrolls Saga always put you in the skin of a prisoner who discovers that he (or she) is more than what meets the eye, that some special destiny is upon him, and this idea, of mixing destiny and free will, it's what has built its greatness to me. Because you find before you a great open world, full of opportunities, ripe for the taking... and some path that it's written for you, but you decide how the story unfolds.

Also, having the several games taking place in different countries and centuries each one makes the world feel like something alive, that grows outside the boundaries of your perception of the world of Tamriel, where your legend is told.

Your power to decide what will you do, where you will go, who will you confront... possibilities are seemingly endless. You can deviate from the main quest, even forget it almost as you walk or ride or fly through Tamriel.

In this series of articles I will tell you my personal experience with this videogames, and what have I adapted from them for tabletop roleplaying games.

A shop in Morrowind
May be your sword sharp, your shield strong, your spells powerful, and the Divines with you.

"Un prisionero nacido cierto día de padres inciertos". Así comienza. Esta es una historia de amor. Es sobre cómo me enamoré de la saga de los Elder Scrolls (Los Pergaminos Antiguos), una serie de videojuegos que construyó un mundo dentro de mi cabeza y lo hizo evolucionar a través de los siglos.

Esto se cuenta desde un punto de vista personal, así que espero que no os importe si no hablo de las dos primeras entregas, Arena y Daggerfall, a los que jamás jugué.

La Saga de los Elder Scrolls siempre te mete en la piel de un prisionero que descubre que él (o ella) es más de lo que se ve a simple vista, que algún destino especial está preparado para él, y esta idea, la de mezclar destino y libre albedrío, es la que ha construido su grandeza para mí. Porque te encuentras ante ti un vasto mundo abierto, lleno de oportunidades, listo para la cosecha... y un camino que está escrito para ti, pero tú decides como se desarrolla la historia.
Tamriel

También el que los diferentes juegos estén ambientados cada uno en diferentes países y siglos hace que sientas el mundo como algo vivo, que crece fuera de los límites de tu percepción del mundo de Tamriel, donde se cuenta tu leyenda.

Tu poder para elegir qué harás, a dónde irás, a quién te enfrentarás... las posibilidades parecen interminables. Puedes desviarte de la búsqueda principal, incluso olvidarla casi mientras caminas o cabalgas o vuelas a través de Tamriel.

En esta serie de artículos os hablaré de mis experiencias personales con estos videojuegos, y qué he adaptado de ellos a los juegos de rol de mesa.

Permanezca tu espada afilada, tu escudo fuerte, tus hechizos poderosos, y los Divinos contigo.

jueves, 24 de octubre de 2013

Apres la nuit

"She lit up the last cigarrete, tasting the blood on her lips, relishing the mix of fluids and smoke that fill up her throath. Her mind was elsewhere, she should leave before the dawn...

She would remember both of them, the woman and the man. They had been a nice couple of lovers, tended her in the middle of another cold, cold night. And now they lay, as if they were something totaly out of this world, peaceful outsiders waiting better times to awake.

She wipped off the blood from her face and took her clothes, ready to lose herself again into the night, before the uncaring morning light had time to come back to her world."

Another illustration, A5. The original artwork is on sale, like others in this blog.

Ink, anhiline, watercolour.

"Encendió el último cigarrillo, probando la sangre de sus labios, saboreando la mezcla de fluidos y humo que llenaban su garganta. Su mente estaba en otra parte, debería irse antes del alba...

Les recordaría a ambos, a la mujer y al hombre. Habían sido unos amantes agradables, cuidándola en medio otra noche fría. Y ahora yacían, como si fueran algo completamente ajeno a este mundo, pacíficos extraños esperando tiempos mejores para despertar.

Se quitó la sangre de la cara y cogió su ropa, lista para perderse de nuevo en la noche, antes de que la indiferente luz de la mañana tuviese tiempo de volver a su mundo."

Otra ilustración, A5. El original está en venta, como otros en este blog.

Tinta, anilinas, acuarelas.

lunes, 21 de octubre de 2013

Historias de un friki con barbas: ¡Muñecos! ¡Habemus Merchandising!

This are some dolls made for my webcomic "Historias de un friki con barbas", a comic-strips series I make in Spanish. But if you like the dolls, they will be available soon.

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Pues al fin tenemos en nuestro poder la primera remesa de muñecos de trapo de "Historias de un friki con barbas", hechos a mano y basados en algunos de los personajes del cómic.


El set completo


Nahum
Roberto
Noe
Pingüino
Ovejita
 ¿A que son una monada? :D

Los tendréis disponibles pronto :)




martes, 15 de octubre de 2013

Exercising your creative muscles: Copying from the masters... at the computer.

As I work in Obliterast (due to be released onto the web in November, remenber!), I need a break from time to time. This time, i wanted to exercise myself with something slightly different, so to save time, I tried to work in two areas at the same time: anatomy and drawing with the computer. I copied some hands from the book Constructive Anatomy by George Bridgman, a classic (1920), but still a very good one. This time I decided to do it digitally, working directly on the computer, and I'm pleased with the overall results.

Paint Tool SAI

Mientras trabajo en Obliterast (que saldrá en la red para noviembre, ¡acordaos!), y preparo la inminente edición en papel de Historias de un friki con barbas necesito tomarme un descanso de vez en cuando. Esta vez quería ejercitarme con algo un poco diferente, así que para ahorrar tiempo, intenté trabajar en dos áreas a la vez: anatomía y dibujar con el ordenador. Copié varias manos del libro Anatomía Constructiva de George Bridgman, un clásico (1929), pero aún vigente, y de los buenos. Esta vez decidí hacerlo digitalmente, trabajando directamente en el ordenador, y estoy satisfecho con los resultados del conjunto.

Paint Tool SAI